The Hills Have Eyes: 36 Year Review
Most folks remember Wes Craven for his contribution to the slasher genre during the 80’s (Nightmare on Elm Street) and his more subversive take during the 90’s (Scream). But the father of Freddy did much more for horror than glove claws. During the 70’s, following the Vietnam War and its mass exposure to hyper-violence, savage cinema, through avenues in grindhouse productions, became in its own right, a way in dealing with this era of heightened confusion, uncertainty, and death. Consider Blood Feast (1963), Cannibal Holocaust (1979), and Texas Chain Saw Massacre (1974) as just a few examples of the best savage cinema had to offer. Their stories are typically simple depictions of everyday life pitted against terrible random violence. Friends on a road trip, adventures in documentary, families pulling up and moving cross-country juxtaposed with psychopathic food caterers, vicious desert dwellers, and hungry homesteaders.
During the era of savage cinema, Wes Craven gave us horror nerds the two best films in his career, Last House on the Left (1972) and The Hills Have Eyes (1977). With Last House, creepy Craven handed audiences, as John Carpenter said during an interview with Nightmares in the Red, White, and Blue, “a strong cup of coffee,” brewed with a heightened since toward violence against the innocent and, basically, probing what people are willing to do in revenge and showing us, even though we’d rather not know, that even when we act just as violently, there is no satisfaction, there is no justice in those kinds of actions.
Back out in the Hills, Craven introduces us to a world a little less violent, but much more compelling. The Hills Have Eyes is an atmospheric horror flick depicting the “average” American family traveling cross-country in their mobile home. Ignoring the warnings of the old gas station owner, the family becomes stranded off the main road. Then, out of desperation, they are forced to split up, leaving themselves vulnerable to vicious attacks. The hill people begin their assault by taking away the very things they feel make this family serene and perfect, leaving the Carter’s to defend for themselves, becoming, eventually, just as violent as the hill people.
With the Hills, Craven was able to weave familiar mythologies (travelers being attacked by outside forces) into the modern nightmare. The Hills Have Eyes is an amazing picture worth seeing over and over. After viewing the movie myself, last night in celebration of the films 36th year anniversary, I went to bed pondering how far people are really willing to go in defending, not only what is their’s, but also, their loved ones. If a horror movie can still make you question society, 36 years after the fact, it is easily one of the scariest and meaningful horror films of all time. For long time horror fans, the “scary” moments are not normally what makes us jump in our seats, the cheap thrills. “Scary” for a horror fan are the moments we’re left thinking, “who made the movie?” Moments that really make us question reality. Maybe not right away, but later, on the drive home or when we go to sleep. Those are the best moments for horror. And for Wes Craven and The Hills Have Eyes, if you watch it, you might likewise experience those very uncertainties of society.
I give The Hills Have Eyes 4 out of 5! A timeless classic and must watch for any connoisseur of macabre.